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| Education | 2003 | Goldsmiths’ College, University of London, London, Master of Fine Art |
| 1999 | Concordia University, Montreal, Bachelor of Fine Arts, Specialization: Sculpture |
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| 1996 | Capilano College, North Vancouver, Studio Arts Diploma |
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| Solo & Duo Exhibitions | 2024 | Building Worlds, Kunsthalle Lingen, Lingen (upcoming) |
| 2021 | Vermessung der Stadt | Measures of the City, with Benedikt Terwiel, Galerie im Rathaus Johannisthal, Berlin | |
| Tissus urbains | Urban fabrics, La Galerie - Centre for Contemporary Art, Noisy-le-Sec, Paris | ||
| Ground Control, Galerie Poggi, Paris | ||
| 2020 | Critical Cartography: Larissa Fassler in Manchester, Currier Museum of Art, Manchester, New Hampshire | |
| “Not Enough Perfume, Too Many Puddles”: Marking the 150th Anniversary of Hans Baluschek’s Birth, Bröhan-Museum, Berlin | ||
| 2019 | FORMS OF BRUTALITY, Berlin Art Prize, SMAC, Berlin | |
| 2018 | EMOTIONAL BLACKMAIL, Art in public space, curator Tirdad Zolghadr, a REALTY and KW Institute for Contemporary Art commission, Berlin | |
| Transatlantique, The Armory Show, with Kapwani Kiwanga, Galerie Poggi, New York | ||
| 2017 | FIAC, with Yona Friedman, Galerie Poggi, Paris | |
| 2016 | CIVIC. CENTRE. Esker Foundation, Calgary | |
| Transit: Ströme, with Mirko Martin, Schader-Stiftung | Hessisches Landesmuseum Darmstadt | ||
| Worlds Inside, Galerie Poggi, Paris | ||
| Extraits | Extracts, curator Catherine Bédard, Canadian Cultural Centre, Paris | ||
| 2015 | EPICENTRE, Little Krimminals, Berlin | |
| 2014 | Circling the Void, SEPTEMBER, Berlin | |
| 2012 | Palace / Palace, SEPTEMBER, Berlin | |
| 2011 | Masterplan, Galerie Poggi, Paris | |
| This Is Nowhere I, SEPTEMBER, Berlin | ||
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2009 | Walking in Place, SEPTEMBER, Berlin |
And Then There Were None, with Richard Schütz, InterAccess, Toronto |
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| 2007 | Squirm, with Bettina Hoffmann, Open Space, Victoria | |
The Sexual Landscape Recast, with Karen Brett, Gallery 44, Toronto |
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| 2006 | People in Art/People as Art, Truck, Calgary | |
| pedestrian, with Patricia Reed, WestGermany, Berlin | ||
| 2005 | Teen Couples, Articule, Montreal | |
| 2002 | Doppelgangers, YYZ Artists' Outlet, Toronto | |
| Docudrama Series: Offerings, curator Jonathan Middleton, Westernfront, Vancouver | ||
| A Dinner Party for Jane Doe, with Barbara Prokop, curator Marcus Miller, SAW Gallery, Ottawa | ||
| 2001 | Application for a Medal, S.O.X. 36, Berlin | |
| No Contact Made: The Flower Project, Resource Centre for the Arts, St. John's, Newfoundland | ||
| 2000 | Art may imitate life, but life imitates T.V., with Barbara Prokop, Access Artist-run Centre, Vancouver | |
| By any means, La Centrale, Montreal | ||
| 1999 | Art may imitate life, but life imitates T.V., with Barbara Prokop, VAV Gallery, Montreal | |
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| Group Exhibitions | 2024 | WALK THIS WAY, curator Kristina Groß, Kunstmuseum Ravensburg (upcoming) |
| Cartographies en jeu(x): an art of mapping geopolitics and critical play, Galerie La Box, Bourges (upcoming) | ||
| Building Blocks, Zuostant, Berlin (upcoming) | ||
| 2023 | This Is a Rehearsal, Chicago Architecture Biennial, fifth edition, curated by the Floating Museum, Chicago | |
| The Way We Are 5.0, Weserburg Museum für moderne Kunst, Bremen | ||
| ORNAMENT UND VERBRECHEN 6, LAGE EGAL, Berlin | ||
| Studio Stadt. Peripherien elektronischer Musik, an exhibition in two parts, Scharaun, Berlin-Siemensstadt | ||
| Studio Stadt. Peripherien elektronischer Musik, an exhibition in two parts, Kunstraum München | ||
| Sorge um den Bestand. Zehn Strategien für die Architektur, in collaboration with Denkstatt sàrl, touring exhibition: Bahnareal Erfurt (2024), WEST in der Alten WU, VIenna (2023), Citykirche Koblenz (2023); Museum für Kunst & Gewerbe Hamburg (2022-23); Robotron Kantine, Dresden (2022); Viktoriabad Bonn (2022); Schuppen 6, Lübeck (2022); Volksbank Münsterland Nord eG, Münster (2021); Technical University of Munic (TUM) (2021); DAZ, Berlin (2021) | ||
| Berlin, a 10-year itch, Pictura, Dordrecht | ||
| 2022 | 22/23 : spielzeit, Museum Morsbroich, Leverkusen | |
| Transgressive – Non-conformist Approaches to the Art and the City, curator Lukas Feireiss, Kühlhaus, Berlin | ||
| EAW, Kunsthalle Lingen, Lingen | ||
| CHARTA# 3 - Pattern and Territory, curators Jan-Philipp Frühsorge and Stephan Klee, HAUNT, Berlin | ||
| Why can’t we live together – Collection Peters-Messer in Marburg, curator Linda Peitz, Marburger Kunstverein | ||
| 2021 | Femmes à l’œuvre, Galerie d'art MI[X], Mourenx | |
| The Landscapists, Stephen Lawrence Gallery – University of Greenwich Galleries, London | ||
| Living the City. On Cities, People and Stories, Tempelhof Airport, Berlin | ||
| Mapping along. Recording Margins of Conflict, Kunstraum Kreuzberg, Berlin | ||
| Expanse, Body, Space. Olivier Debré and artists-architects, curators: Isabelle Reiher & Marine Rochard, CCC OD, Tours | ||
| "Step Out of the Strange Light“, Neuer Berliner Kunstverein (n.b.k.), Berlin | ||
| 2020 | Willful Blindness, Institut d'Études Supérieures des Arts (IESA) , Paris | |
| Uferhallen-Manifest, curators: Isabelle Meiffert & Sarah Theilacker, Uferhallen, Berlin | ||
| Living the City. On Cities, People and Stories, Tempelhof Airport, Berlin | ||
| The Place I Once Called Home, curated by Paul Hutchinson, Art'Us Collectors' Collective, Breiterhof, Munich | ||
| Champs-Elysées - Histoire et perspectives, Pavillon de l’Arsenal, Paris | ||
| 2019 | Ubiquitous Surfaces, curator Rita Aktay, SEAGER Gallery, London | |
| Ground Control, curators Anais Castro & Verity Seward, R E I T E R galleries, Berlin | ||
| STADTSCHLAWINEREIEN, KOW, Berlin | ||
| Perspectives on Urban Spaces, National Gallery of Canada, Ottawa | ||
| Libertés de mouvement, Le FRAC Auvergne, Clermont-Ferrand | ||
| What Goes Around Comes Around, charitable art exhibition, Studiolo, Berlin | ||
| La Ville, Galerie Sophie Scheidecker, Paris | ||
| City Movement – Von Menschen und Räumen, curator Isabelle Stamm, Galerie im Saalbau, Berlin | ||
| 2018 | MAC International 2018, The MAC, Belfast | |
| New Acquisitions, Fondation Colas, Paris | ||
| Another World, curated by Tracey Emin, Deutsche Bank Wealth Management lounges, Frieze London, London | ||
| The World on Paper – Works from the Deutsche Bank Collection, PalaisPopulaire, Berlin | ||
I am a crack, I go through walls – Works from the collection Peters-Messer and the Miettinen Collection, Salon Dahlmann, Berlin |
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| Drawing by Numbers, Galerie Poggi, Paris | ||
| 2017 | 11th São Paulo Architecture Biennial, curator Marcos L. Rosa, São Paulo, Brazil | |
| Fleisch und Stein | Flesh and Stone, curator Cagla Ilk, WhiteBOX, Munich | ||
| Blurriness and White Spots: A Cartographic Approach to Urban Space, Kunsthaus Muerz, Münzzuschlag, Austria | ||
Dimensões variáveis | Variable dimensions - Artists and Architecture, curators Gregory Lang and Inês Grosso, |
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| 2016 | In correspondence with the drawing, curator Stephan Köhler, Michael Fuchs Galerie, Berlin |
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The Berlin Case, Boris Yeltsin Center, Ekaterinburg, Russia |
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| 2015 | DIMENSIONS VARIABLES - Artists and Architecture, curator Gregory Lang, Pavillon de l’Arsenal, Paris |
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Versuch, einen Platz in Berlin zu erfassen, L40, Berlin |
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EAST/ANBUL, ArtInternational Istanbul, Galerie Poggi, Istanbul |
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Promenons-nous..., l'Abbaye, Ville d'Annecy-le-Vieux, France |
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| 2014 | Matérialisme Histérique, Galerie Poggi, Paris |
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Hausbesetzung | Squatting, NKV – Nassauischer Kunstverein Wiesbaden, Wiesbaden |
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Beyond Architecture, NAK – Neuer Aachener Kunstverein, Aachen |
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Les Horizons, La Criée, Rennes |
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| Vom Außenraum zum Innenraum. Sammlung Florian Peters-Messer, KunstHaus Potsdam, Potsdam | ||
| 2013 | Winter Show, SEPTEMBER, Berlin |
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Dissident Desire / Chapter 2: Terrain of Threshold Voices, District, Berlin |
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Old School, Kunsthalle Kiel, Kiel |
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Algemeinplätze und Nahaufnahmen | Shared spaces and close-ups, SomoS, Berlin |
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Dysraphic City, Kunstraum Kreuzberg/Bethanien, Berlin |
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Urbanität mal anders, curator Dorothee Bienert, Galerie im Körnerpark, Berlin |
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Aufwachen ! Besser machen ! | Wake Up! Get It Right!, curator Meta Marina Beeck, Kleine Humboldt Galerie, Berlin |
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Berlin.Status (2), curators Sven Drühl and Christoph Tannert, Künstlerhaus Bethanien, Berlin |
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Stadt In Sicht | City in Sight — Works from the Deutsche Bank Collection, Museum Ostwall im Dortmunder U, Dortmund |
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The Architectural Ellipsis, curators Javier Toscano and Ruth Estévez, Centro Cultural Universitario Tlatelolco, Mexico City |
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FAIL!, Node Curatorial Center, Berlin |
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| Design, Poverty, Fiction, Grand Hornu, Boussu, Belgium | ||
Silvrettatelier, Palais Liechtenstein, Feldkirch, Austria |
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| between appropriation and intervention, curator Harald F. Theiss, Kunstraum Kreuzberg, Berlin | ||
| How High is the Moon?, Galerie Jérôme Poggi, Paris | ||
| 2012 | New Acquisitions, Fonds Municipal d'Art Contemporain – City of Paris, FIAC, Paris |
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Insight – Outsight II: Die Sammlung Florian Peters-Messer, Städtische Galerie im Park, Viersen, Germany |
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| 2011 | between appropriation and intervention, curator Harald F. Theiss, Kristiansand Kunsthall, Norway | |
Seitenlichtsaal:raumproduktion, curator Matthias Böttger, Kunsthalle Düsseldorf, Düsseldorf |
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| Funkhaus Art Prize 2011, Funkhaus Nalepastrasse, Berlin | ||
| Art works, Art in the Deutsche Bank Towers, Frankfurt | ||
| Tape Modern No.20 'Destructionconstruction', curators Daniel Kingery and Amir Fattal, Tape Modern, Berlin | ||
| Metrospective 1.0, Future Gallery and PROGRAM e.V, Berlin | ||
| Berliner Allee 174, curator Jean-François Karst, Centre Culturel Colombier, Rennes | ||
| 2010 | Berliner Geschichten (Berlin Stories): The Collective Coral Colony, curator Adnan Yildiz, Tensta Konsthall, Stockholm |
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| REALSTADT. Wünsche als Wirklichkeit, curators Martin Heller and Angelika Fitz, Kraftwerk Mitte, Berlin | ||
| Diskurshexe III , a part of “Are You Coming Too?”, Galerie Knoth & Krüger and SEPTEMBER, Berlin | ||
| Schwerinblicke – Künstlersichten, Staatliches Museum Schwerin, Schwerin | ||
| 2009 | Splendid Isolation – Goldrausch 2009, Kunstraum Kreuzberg/Bethanien, Berlin | |
| Ostrale’09 – third international exhibition for contemporary art, Ostragehege Dresden | ||
| The New Omega Workshops, SEPTEMBER, Berlin | ||
| Selected Artists, Stipendiaten des Arbeitsstipendiums für Bildende Kunst des Berliner Senats, NGBK, Berlin | ||
| 2008 | Video Visions, Edith-Ruß-Haus für Medienkunst, Oldenburg | |
| Le Chamois de Messidor, Program – initiative for art + architectural collaborations, Berlin | ||
| Everybody Knows This is Nowhere, Galerie Wendt + Friedmann, Berlin | ||
| Urban Jealousy – 1st International Roaming Biennial of Tehran, traveling exhibition, Istanbul, Berlin, Belgrade | ||
| World One Minutes, - Traveling Exhibition: Today Art Museum, Beijing; deBuren, Brussels; Gulbenkian museum, Lisbon; Museu de Art, Sao Paolo and the Townhouse Gallery, Cairo |
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| 2007 | WALK! Spazierengehen als Kunstform, Kunstraum Kreuzberg/Bethanien, Berlin | |
| Graphzines et autres publications d’artistes, Bibliothèque et Archives nationals du Québec, Montreal | ||
| 2006 | Super 6, ABEL - Neue Kunst, Berlin | |
| The Momental, Sparwasser HQ, Berlin | ||
| 2005 | Take My Hand, Nina Menocal Gallery, Mexico City | |
| Take My Hand, ThreeWalls Gallery, Chicago | ||
| 2004 | 21. Kasseler Dokumentarfilm- & Videofest, Kassel | |
| TAPE291, 291 Gallery, London | ||
| Out and About, sis boom bah Gallery, Toronto | ||
| 2003 | ev+a 2003, Limerick City Gallery of Art, curator Virginia Pérez-Ratton, Limerick, Ireland | |
| The Bigger Picture: Portraits from Ottawa, The Ottawa Art Gallery, curator Karen Love, Ottawa | ||
| Out and About, Century Gallery, London | ||
| Goldsmith’s Postgraduate Degree Show, Goldsmiths College, London | ||
| de•een•minuten - the•one•minutes, Sandberg Institute, Video Festival, Amsterdam | ||
| Bootleg, Spitalfields Market, London | ||
| 2002 | PROOF 9, Gallery 44, Toronto | |
| An American in Paris: 5 Canadian artists working in Berlin, P.P. Premises, Berlin | ||
| 2002 | Long Ago and Far Ahead, CESTA, Tabor, Czech Republic | |
| Hold Your Breath, Plovdiv Municipal Art Gallery, part of the European Month of Culture, Plovdiv, Bulgaria | ||
| 1999 | Le scénario visuel de la page: 100 livres d’artistes, Bibliothèque nationale du Quebec, Montreal | |
| Videoarchaeology – Paris, International video festival, La traverse art centre, Paris | ||
| Videoarchaeology – Bulgaria, International video festival, ATA Center for Contemporary Art, Sofia | ||
| Video Vérité – Video exhibition of emerging Canadian artists, TED Gallery, Varna, Bulgaria | ||
| Random, Leonard and Ellen Bina Gallery, Montreal | ||
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| Residencies | 2023 | Cité Internationale des Arts, Paris, 2-12 program |
| 2020 | La Galerie - Centre for Contemporary Art, Noisy-le-Sec |
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| 2019 | The Currier Museum of Art, Manchester, New Hampshire |
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| 2014 | The Récollets International Residency, Institut français and the City of Paris, Paris |
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| 2012 | SilvrettAtelier, Artist Residency, Bielerhöh, Austria |
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| 2010 | Cité Internationale des Arts, Paris, hosted by Berlin Senate |
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| 2000 | CESTA - Cultural Exchange Station, Tabor, Czech Republic |
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| Work in Collections | The Currier Museum of Art, Henry Melville Fuller Fund, Manchester, NH, USA |
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Stadtmuseum Berlin, Germany |
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National Gallery of Canada, Ottawa, Canada |
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Global Affairs Canada – Visual Art Collection | Canadian Embassy, Paris |
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FRAC Nouvelle-Aquitaine MÉCA (Fonds régional d’art contemporain Nouvelle-Aquitaine), Bordeaux, France |
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FRAC Auvergne (Fonds régional d’art contemporain Auvergne), Clermont-Ferrand, France |
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Huma Kabakcı Collection, Istanbul, Turkey |
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La Fondation Colas, France |
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Le Fonds municipal d'art contemporain de la Ville de Paris (FMAC), France |
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| Staatliches Museum Schwerin, Germany | ||
| Deutsche Bank Collection, Germany | ||
| Sammlung Peters-Messer, Berlin | Viersen, Germany | ||
| National Library of Quebec, Artists’ book collection, Montreal, Canada | ||
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| Workshops and Lectures | HafenCity Universität Hamburg, Urban Design, Germany |
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L'École des Arts Décoratifs, program: “Nouveaux Imaginaires du Dessin”, Paris, France |
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Newcastle University, School of Architecture, Planning & Landscape, Newcastle upon Tyne, UK |
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Bergen Architecture School (BAS), Urban Research & Design Studio, Norway |
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Muthesius Kunsthochschule, Spatial Strategies, Kiel, Germany |
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Universität der Künste Berlin (UdK), Institute of Architecture and Urbanism, Germany |
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Leibniz Universität Hannover, Institute for Design and Urban Planning, Germany |
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ZK/U Berlin - Center for Art and Urbanistics, Germany |
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University of Gothenburg - HDK-Valand - Academy of Art and Design, Sweden |
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Technische Universitat Braunschweig, Institute of Media and Design, Germany |
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Denkstatt, Basel, Switzerland |
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University of Sheffield, School of Architecture, MA Urban Design, UK |
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| Western Humanities Alliance Conference “Spectral Cities”, Calgary Institute for the Humanities, Canada | ||
| Universität Innsbruck, Symposium “Visualising Immaterialities”, Institut für Gestaltung Studio1, Faculty for Architecture, Austria | ||
| Rapperswil conference “Atmosphere, Sensiblity, Space”, HSR Hochschule für Technik Rapperswil, Switzerland | ||
| Universität Kassel, Department of Urban and Regional Planning, Germany | ||
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| Bibliography | 2023 | "Larissa Fassler: Viewshed, Rezension von Sebastian Bührig", ARCH+ |
| Hawthorne, Christopher, "At the Chicago Architecture Biennial, Artists Run Free", The New York Times, Nov. 28, 2023 | ||
| “Behind The City’s Facades, Bjørn Hegardt in conversation with Larissa Fassler”, FUKT #21 – The Unknown Issue, pp. 50-63, pages. | ||
| 2022 | LARISSA FASSLER: VIEWSHED, Editor Diana Sherlock, DISTANZ, ISBN 978-3-95476-435-8 | |
| Sorge um den Bestand. Zehn Strategien für die Architektur. Editors O. Bahner, M. Böttger, L. Holzberg, jovis, pp. 116-121, ISBN 978-3868596595 | ||
Cataldo, Samantha, "More than maps: Larissa Fassler’s cartographic drawings capture the complexities of a city”, JoLA - Journal of Landscape |
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| REALTY: Beyond the Traditional Blueprints of Art & Gentrification, Editor Tirdad Zolghadr, Hate Cantz, pp 32-33, ISBN 978-3-7757-5345-6 | ||
| Step Out of the Strange Light, Exhibition Catalogue Neuer Berliner Kunstverein, n.b.k.. Berlin Vol. 13, Verlag der Buchhandlung Walther und Franz König, Cologne. ISBN 978-3-7533-0108-2 |
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| 2021 | "Représenter la ville invisible | Representing the Invisible City: Larissa Fassler”, STREAM 05 New Intelligences, A PCA-STREAM publication, 2021 |
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Krieger, Deborah, "Larissa Fassler’s cartography at the Currier Museum describes socioeconomic disparities in Manchester", Artblog - Reviews |
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"Larissa Fassler_Gare du Nord”, metroZones, video 14 min |
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"metroZones_Mapping Along_Artist Talk with Larissa Fassler”, metroZones, video 8:31 min |
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"An Attempt to Drain Places”, PCA-STREAM Architecture, Paris “THINK”, video 5 min |
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Living the City - Double Feature, Larissa Fassler and Raul Walch with Lukas Feireiss, video 1 hour |
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| Série 50/50 – Rencontre #3 : Larissa Fassler, l’arpenteuse, Artist Talk, Canadian Cultural Centre – Paris, video 35:55 min | ||
| Jaumouillé, Laure. "Larissa Fassler. Enquêtes urbaines” artpress, 31 mars 2021 | ||
| "Camille présente "Gare du Nord" de Larissa Fassler”, "Ground Control" Galerie Poggi, du 23 janvier 2021 au 27 février 2021. video 1:51 min | ||
| Exposition "Tissus urbains", Larissa Fassler. Presented by Marc Bembekoff, director/curator. La Galerie, centre d'art contemporain, video 9:08 min | ||
| Michel, Ilan. "Larissa Fassler", Zérodeux / 02 | ||
| Lisowski, Pauline. “Tissus urbains, exposition personnelle de Larissa Fassler”, Le Corridor de l’art, 31 mars 2021 | ||
| Scemama, Patrick. "Les galeries: fréquentation record", La République de l’Art, le 16 février 2021 | ||
| "Larissa Fassler On Show", AA L’Architecture d’Aujourd’hui, Section(s) : Actualités, AA 440 - décembre 2020 | ||
| 2020 | Decoding Manhattan: Island of Diagrams, Maps, and Graphics, Editors A. Antoniou and S. Heller, ABRAMS, ISBN 978-1-4197-4760-1 | |
| Hampton, Chris. "Perspectives on Urban Spaces", National Gallery of Canada. | ||
| Bauer, Jakob. “Mit nur wenigen Schritten von Brüssel nach Bordeaux - Ausstellung "Living The City" im Flughafen Tempelhof”, rbb24, 24.09.20 | ||
| "Larissa Fassler Mapping Manchester", artist talk with Samantha Cataldo, curator of contemporary art at the Currier Museum of Art, Manchester, NH, USA , video 1:07 hour |
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| Calvelli, amery, "Rewriting Place: What progress has to do with ideology, architecture, and how we inhabit the city”, Esker Foundation’s online publishing. |
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| “Gare du Nord - Larissa Fassler”, Architektur Ethnografie, ARCH+ 238, pp.162-167 | ||
| Peal, Toya , "Working Place: Constructing Collage as Critique”, AD Architectural Design, Volume 90, Issue 1, Special Issue: The Landscapists: Redefining Landscape Relations, Editor: Ed Wall. January/February 2020, Pages: 66-73 | ||
| 2019 | Western Humanities Review, Western Humanities Alliance Special Issue: SPECTRAL CITIE. Fall 2019 | 73.3 | |
| Nedo, Kito. “What Does A Tenfold Increase in Berlin’s Real Estate Prices Mean for the City’s Art?.” Frieze, 14.11.2019 | ||
| 2018 | "Unseen - Contemporary Urban Research in the European City", EuropeNow, Nicole Shea editor, May 1, 2018 | |
| Morisset, Vanessa. “LARISSA FASSLER SKETCH. ” esse, Nr. 93 | ||
| 2016 | Ylitalo, Katherine. “CIVIC. CENTRE. ” Avenue magazine, Calgary, December issue, p.122 | |
| Hoberman, Mara. “Larissa Fassler – Galerie Jérôme Poggi.” ARTFORUM, April Issue. p.247 | ||
| Sherlock, Diana. “Larissa Fassler's Feminist Psychogeography - My Body is the City”, Canadian Art, Spring 2016 | ||
| Shipwright, Fiona. “Unchartered Ground: Larissa Fassler’s Psychogeographic Cartographies”, Uncube Magazine, No.42, Blog: 03 Mar 2016 | ||
| Santoro, Alessandro. Vogue Arts: “Arts and Space in Paris”, Vogue Italia 08/03/2016 | ||
| Scemama, Patrick. "Connaître le monde", La République de l'Art, Februray 11th, 2016 | ||
| Sherlock, Diana. "Interview with Larissa Fassler by Diana Sherlock, 2015", Worlds Inside - exhibition booklet, Galerie Jérôme Poggi, Paris 2016 | ||
| 2015 | Artists and Architecture, Variable Dimensions, [Exhibition catalogue, Pavillon de l'Arsenal, Octobre 2015] Curators: Didier Gourvennec Ogor, Gregory Lang; Texts de Liliana Albertazzi, Sarina Basta & Nils Norman, Lorenzo Benedetti, Marc Donnadieu, et al. EN /FR 1 vol. (264 p.) : ill. Edited Pavillon de l'Arsenal. Paris: 2015, p. 84 | |
| Donsbach, Ruben. "Die Stadt als reine Information" (The City as Pure Information), Intersection magazine (D), No. 3, Fall 2015. p. 46-49 | ||
| Torisson, Fredrik. "Larissa Fassler: Epicentre", Epicentre [Exhibition booklet], Little Krimminals, Berlin 2015 | ||
| “FOCUS: The Deutsche Bank Collection: Larissa Fassler", ArtMag - Deutsche Bank KunstHalle, issue 87. March 2015 p. 23-30. | ||
| Galimberti, Luigi. "Urban Landscapes as Acts of Collage", Kolaj, issue 12, Montreal: 2015, p. 8-15 | ||
| Koerner von Gustorf, Oliver. "City in Sight: The Deutsche Bank Collection at the Dortmunder U", ArtMag - Deutsche Bank KunstHalle, issue 76 | ||
| "Mapping Kotti", Stadtaspekte - New Spaces: Baukultur in German Cities, Stadtaspekte e.V. March 2015, p.104-107 | ||
| Mind the Map: Illustrated Maps and Cartography, Editors: A. Antoniou, R. Klanten, S. Ehmann, Berlin: Gestalten. September 2015. p. 110-111 | ||
| 2014 | Feireiss. L and R. Klanten. Imagine Architecture – Artistic Visions of the Urban Realm. Berlin: Gestalten | |
| Urgências Urbana / Urbane Dringlichkeiten (Urban Urgencies), Special edition of Arte e Ensaios, Universidade Federal do Rio de Janeiro, in cooperation with Berlin-Weissensee School of Art, a part of the Germany Year in Brazil 2013–2014 |
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Phillips, Alexandra. “Both Here and There: Canadian Artists and the Berlin Experience”, cmagazine, 122 summer 2014. p.30-34 |
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| 2013 | Old School: Anachronismus in der zeitgenössischen Kunst, Kunsthalle Kiel, ISBN 978-3-937208-41-1 |
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Majer, Anja, Esther Ernst, “Mit Schnitte #1”,von hundert, 10-2013 |
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Berlin Status No.2. Sven Drühl, Christoph Tannert, und das Künstlerhaus Bethanien. DruckVerlag Kettler |
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La Elipsis Arquitectónica / The Architectural Ellipsis. Ruth Estévez & Javier Toscano. Centro Cultural Universitario Tlatelolco. |
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Stadt in Sicht – Werke aus der Sammlung Deutsche Bank. Deutsche Bank AG. CC Kunst. Frankfurt am Main & Kurt, |
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Wettengl Museum Ostwall im Dortmunder U. DruckVerlag Kettler, Bönen |
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SILVRETTATELIER 2012.Vorarlberger Illwerke AG, Austria |
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Hauffen, Michael. “between appropriation and interventions.” KUNSTFORUM International, no. 221, p. 270-272 |
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| 2012 | Born, Megan, Helene Furján, Lily Jencks with Phillip M. Crosby. DIRT. ViaBooks, a PennDesign Publication, |
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Volume 2. Philadelphia, Cambridge, London: PennDesign and the MIT Press |
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| Pigeat, Anaël. “Larissa Fassler at Galerie Jérôme Poggi.” artpress, translation L.S. Torgoff, January 2012. no. 385 | ||
| 2011 | Kuhn, Nicola. “Kotti, my love.” Der Tagesspiegel, 24.12.2011 | |
Ewing, Margaret. “Larissa Fassler – SEPTEMBER.” ARTFORUM, October Issue. p.327 |
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| Freireiss, Lukas. “Larissa Fassler – The Body and the City.” ArtMag - Deutsche Bank KunstHalle, issue 65. June 11 | ||
| Art Works – Sammlung Deutsche Bank Zentrale. Frankfurt am Main: Deutsche Bank CC Kunst | ||
| 2010 | Art Cologne 2010 Highlights / Part 3, vernissage.tv, April 25, 2010 | |
| Nedo, Kito. “Aus dem Bauch des Kottbusser Tores.” Die Tageszeitung. 06.01.2010. p.28 | ||
| 2009 | Klanten. R, and L. Feireiss. Beyond Architecture – Imaginative Buildings and Fictional Cities. Berlin: Gestalten | |
| Selected Artists, Stipendiatinnen und Stipendiaten des Arbeitsstipendiums für Bildende Kunst des Berliner Senats 2008, NGBK, Berlin: Vice Versa Vertrieb |
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| 2008 | Ter Borg, Lucette. World One Minutes – Video & Literature, Rotterdam: Veenman Drukkers | |
| Müller, Dominikus. “Mit der Länge meines Körpers.” Die Tageszeitung. 27.08.2008. p25 | ||
| “Control: Drawing and Re-Drawing.” Paramnesia Berlin. 08.08.2008 | ||
| Nedo, Kito. “Coole Ausstellungen für heiße Tage 2.” art - das Kunstmagazin. 01.08.2008 | ||
| 2007 | Dschungel, JungleWorld, Nr. 38, 20.09.2007 | |
| Ackermann, Tim. “Überall Promenadologen.” TAZ Berlin. 3. September 2007 | ||
| Mühling, Jens. “Gewinner und Flanierer.” Der Tagesspiegel, 2. September 2007 | ||
| “Walk! – Spazierengehen als Kunstform”, Zitty, 30. 8 – 12. 9. 2007 | ||
| Manley, Claudia B. The Sexual Landscape Recast. Gallery 44 Exhibition Booklet. June-July 2007 | ||
Graphzines et autres publications d’artistes. Bibliothèque et Archives nationals du Quebec. Canada: Deschamps inc. |
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| Jager, David. “All-Ages Sexuality.” Art Reviews. NowToronto, Vol. 26 No. 42. June 21-27. 2007 | ||
| 2006 | Pedestrian – Connective and cacophonous non-places. Berlin: Revolver | |
| McVeigh, Jennifer. “Two’s Company.” Calgary Herald. Feb. 4, 2006 | ||
Reynolds, Travis. “Ich Bin Ein Berliner.” Swerve Mag – Calgary Herald. Jan. 27, 2006 |
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| Ming Ho, Karilynn. “Public in Art/Public as Art.” Exhibition Essay, Truck Gallery, Calgary: 2006 | ||
| Lafortune, Wes. “A Public statement: Larissa Fassler tracks teens and delivers flowers to explore social context.”Jan. 26 | ||
| 2005 | Balcaen, Jo-Anne. “Teen Couples.” Exhibition Essay, Article, Montreal | |
| Dault, Julia. “At the Galleries: A Photographic Spin the Bottle.” National Post. p B6, April 14. 2005 | ||
Wolkman, Michael. “Heart-Shaped Limbo.” Newcity. p.18. February 10, 2005 |
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| 2004 | Love, Karen. The bigger picture : portraits from Ottawa/Les mille et un visages d'Ottawa. Ottawa: The Ottawa Art Gallery |
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Love, Karen. “The bigger picture: portraits from Ottawa.” CV Photo. p35. V. 62. 2004 |
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| 2003 | Goldsmiths Masters in Fine Art Degree Exhibition Catalogue. London: Perivan White Dove | |
| O’Reilly, Paul. ev+a: 2003 On The Border of Each Other. Oysterhaven: Gandon Editions | ||
| Chaoimh, Mairead. “It’s the Mystery Flower Lady of Limerick City.” Limerick Leader. Saturday March 1 | ||
| 2002 | Nemerofsky Ramsay, Benny. Doppelganger (YYZine), Vol. 2 Issue 7. Toronto: YYZ Artists’ Outlet |
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Hirschmann, Thomas. “Top 10 Art Shows of 2002”, NowToronto, online edition. Dec. 2002 |
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| Brayshaw, Christopher. “Adults Evoke Childish Impulses.” The Georgia Straight. December 5 – 12 | ||
| McCormick, Katy. “Proof 9”, Gallery 44, Toronto: 2002 | ||
| 2001 | Martin, Annie. By Any Means. Pink Link / la proposition rose. Montreal: La Centrale/Powerhouse | |
Weekend AM - Arts Report, Angela Antle, CBC Radio Canada, May 12, 2001. |
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| “No Contact Made: the flower project.” Canadian Art, Maritimes Section. p 20, Volume 18. number 1. spring 2001 | ||
| 2000 | Fuchs, Claudia. “Derselbe und doch ein ganz anderer.” Berliner Zeitung. Number 174. July 28 |
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Groll, Martin. “Verschmidtste - Party am Marchenbrunnen.” Berliner Morgenpost. July 31, 2000 |
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| Meixner, Silvia. “Mein Name ist Schmidt."- “Meiner auch!", ”Meiner auch!". Die Welt. July 31, | ||
| Johnson, Mia. “Barbara Prokop & Larissa Fassler - Art may imitate life, but life imitates T.V,” Preview. 2000-01 | ||
| Crevier, Lyne. “L'heure du thé.” ici, 9-16 March 4, 2000. | ||
| Lamarche, Bernard. “Icones insolites.” Le Devoir. D7, March 2000 | ||
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